Pop-up set design on Behance Set design for performance "Hairdresser" (Parikmakhersha), Practice theatre, Moscow Photo by/ Polina Bakhtina

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The Hobbit. Redgrave Theatre, Farnham. Scenic design by Colin Winslow.

It uses the exact same main set piece and looks different every time. Lighting and the backdrop work perfectly to set each individual scene.

Giovanna D'Arco from Teatro Regio di Parma. Directed by Gabriele Lavia. Sets by Andrea Viotti.

TEXTURE Texture of the pink dots makes it look like multiple trees are together making a floral canopy.

love the idea of the rickety stuff all piled together and then up levels. Maybe do this with things that would be in each setting- like a ton of books stacked for a library, for instance.

Heartbreak House, Two River Theatre Company, Design by Tony Cisek. The heights and platforms add multi-levels to this production and characterization to the space.

Ghosts. Scenic design by Elroy Ashmore.

Scenic design by Elroy Ashmore. I like the mystery mood this set puts out.

"The Wild Party" College Conservatory of Music (CCM) Scenic Design: Mark Halpin Director: Aubrey Berg Lighting Design: Steve Mack

"Te Wild Party" College Conservatory of Music (CCM) Scenic Design: Mark Halpin Director: Aubrey Berg Lighting Design: Steve Mack

Dissocia Model, Act 1.

Kafka, catwalks and vanishing sets: Miriam Buether's stunning designs – in pictures

From a play inspired by Edward Snowden to an opera about Anna Nicole Smith, Miriam Buether’s stage designs always astonish audiences.

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